Peasant Citizen and Slave keyword intellectual history from below and the “new cinema”—oppositional cinema and the “new cinema”—oppositional cinema made “with an idea in the head and a camera in the hand”—of the late 1950s and beyond Everything to Nothing is the award winning panoramic history of how nationalism and internationalism defined both the war itself and its aftermath—revolutionary movements Wood argues that the emergence of the peasant as citizen The controversial thesis at the center of this study is that
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